Board Thread:Writer's Workshop/@comment-25458443-20141028120707

So I wrote a Pasta called "War". It was about a gender-unknown human who was locked in a storgae room.

As he/she is stuck in there, she/he begins to hear noises from outside. He/She develops the conclusion that some kind of war is happening, and it seems to end with her/him still in there.

Does this seem good?

Much like "One Single Instant", This would take what the main character is feeling, and portray that in text. In Single Instant, You have to deal with believing something, and that one thing being false.

In War, It's almost presice nWQS 