Board Thread:Writer's Workshop/@comment-5306249-20191106050501/@comment-5306249-20191108003744

BloodySpghetti wrote: Jake, the story is good. It's pretty good, plotwise doesn't have too much problems other than a weird ass pacing that I couldn't understand. Other than that it's pretty good. Maybe the pacing was fine but the thing that is horribly wrong here is your insistence on using the wrong person to narrate with. Second person here doesn't work at all. I don't believe I am "you" (or you, given the chicago and the sort of speech the character uses) I get it, some authors used it. Here it's awkward and feels like you're trying to tell me to remember "tis fiction bruh" every second sentence.

A second person speech works well in horror when the situation is either really well descriped to the point where the reader has no choice but to be convinced they are indeed part of the story or when the plot is an easily relatable one, something like the every day routine going wrong sort of story.

Get rid of the second person adressing and kill some of the jargon. You speak weird (at least online) and it'll be muy bueno.

I started off wanting the plot twist to be that the creature, being able to absorb memories, ended up narrating the events of the last few hours of the protagonist. I’m not quite sure how to fix that, other than change it to third person and just pretend there isn’t a monster narrating it up until the twist, where it switches to second? Would that work?

As for it being a self insert/having weird jargon, that wasn’t really my intent. Not sure what wording was weird anyway. I have a flowery writing style but I try not to go overboard and channel Lovecraft’s overly-prosey spirit.