Board Thread:Writer's Workshop/@comment-24810508-20150201060506/@comment-24810508-20150202233044

Okay, so generally, it would help if I replaced most of the shock value with small hints and a plot twist at the end. Sounds like it could work...I haven't thought about making Funny Bunny a ghost that much, but it seems it could work if I delivered it well. At one point when I was thinking of the idea of Funny Bunny, I was considering hardly giving hints to who or "what" Funny Bunny exactly is and just revolve around the creepyness of his existence in a child's room.

Hmmmmmm.........maybe I could make it a series of diary entries that start when the main character is writing how he has a neighbor who dresses up as the Easter Bunny at a mall, but eventually writes one where he claimes that his neighbor "touched" him (it would be hinted that the neighbor wasn't wearing his Easter Bunny suit). Maybe he would mentally create an imaginary friend based on both the friendliness of the "Easter Bunny" and the soulless aspects of the neighbor who doesn't exactly act like the Easter Bunny he knew. But, I don't have the time to make any long creepypastas, and it seems whenever I make a long one, the quality is greatly reduced (I think I just start getting tired near the end and it causes me to use poor grammar and word usage). So, I guess I would have to work around that disadvantage for now.

I might actually go with the ghost idea, but I'm not fully sure. I'll try to come up with another version and see if that has a great amount of creepyness delivered the right way.