User blog comment:SnakeTongue237/Ten Of The Most Memorable Horror Sequences Of The Past Ten Years./@comment-24466828-20161103205121/@comment-24466828-20161104193918

@SnakeTongue237

Watch "The Mist". Enough said.

About "Hush", I disagree with what you said. If you were being pursued by a serial killer who is trying to kill you, you'd probably be terrified as all hell, and you probably won't be able to think straight at all. You would probably be so focused on him coming through the door that you probably wouldn't notice slight vibrations on the floor. Besides, the bathtub could've absorbed some of the vibrations as well since the serial killer didn't land directly on the ground.

I also loved "Irreversible". I think that the fact that the events were played in reverse order turned the film from a forgettable and cookie cutter revenge film into a powerful, horrifying thriller. Roger Ebert's review of the film somewhat reflects my opinion of the film (although, I'd probably give it a 3.5/4).

"Enter the Void" is Noe's masterpiece though. The film was unlike anything I've ever seen before. It had a frightening, yet intriguing and visually impressive view of the afterlife. I've read a lot of film reviews written for hundreds of different films. A common praise that I see critics give to films is that they feel that the camera is alive. Most, if not, all of the time, however, I don't feel this way at all. I can't tell if it was the filmmakers' intention. However, I think that the camera was alive in this movie. The camera represented Oscar's eyes, and he was observing the aftermath of his death. Overall, I feel like this is a one of a kind film with a unique plot that I haven't seen in any other movie before. In my opinion, it's one of the best films of all time. I have no issues with putting it in a top 150. Hell, maybe even a top 100. Also, the opening titles sequence is a masterpiece on its own.