Creepypasta Wiki:Writing Advice/What Makes a Great Creepypasta?

There are many things that can make a pasta great. It's not always the same things either. These are the elements I look for, and any of them may cause your pasta to be deleted, depending on just how poor the pasta was in any/all of these areas.

1. Description


 * A pasta may be great just because whatever is causing the turmoil is described really well. That means that maybe just a paragraph, or just a couple sentences make the pasta. While it may only be a few sentences long, it seemed to grab the reader and hold them frozen. I would have to say that most great pastas fall into this area. They are great because of the description.


 * If you want to know just what I'm talking about, read these pastas, I've hand-selected them to demonstrate excellent description:
 * Finally Awake (By Kyoketsu)
 * Comfort in Numbers (By TerraRow)
 * Lilly Lizzy (By DEFSeattle)
 * Compulsion (By Tragician)

2. Conclusion


 * Sometimes I'm reading a pasta that I really don't even enjoy until the conclusion. Then, I understand why there were certain elements earlier. Then the end ties it all together and makes me think, "Wow, that paragraph was important after all." Usually, that's very difficult.


 * Here's some pastas with great conclusions:
 * Hubris (By Pacorules11)
 * House of Rules (Original author unknown)
 * Six Shot Devil (By WhoAreTheYoungDisgraced?)
 * Rabbits in the Creek (Original author unknown)

3. Composition


 * Other times, there is an idea brought forward in the pasta that is just really solid. It's hard to explain this thoroughly. Then again, it's not really necessary to describe either. We all know that an original, hardly-ever-seen-before idea is much better than trite clichés.


 * Here's a few pastas I've chosen to highlight great composition:
 * Innocent Souls (By DEFSeattle)
 * Ad Nauseam, Ad Mortem, Ad Infinitum (By EmpyrealInvective)
 * Harpy (By Lordnmaster)
 * The Arrogant (By Darksparx)

4. Transition


 * Some pastas I have read have a pace, it's like the writer knows just how to grab your attention and when to deliver the turmoil. This brings me back to how difficult it is to write a good conclusion. A lot of pastas I have seen have abrupt endings, most likely because the writer reached a certain point, and got tired of writing, or decided to start a conclusion. When, in fact, an excellent conclusion is made by planning the end well before it actually starts. These elements are called transition. Also included in transition, is the shape of the sentence and paragraphs itself. This all depends on how it sounds as the pasta is read.


 * These pastas all have awesome transition:
 * Scenes from a Metropolitan Garbage Truck (By Mystreve)
 * Nana Razor (By Booboofinger)
 * Out with a Bang (By XanCrews)
 * The Raffle: Part Two (By GreyOwl)

5. Scare Factor


 * Then, there is overall creepiness, a measure of just how unsettling the writing was. What makes a pasta even better, is if they can relate that feeling to the reader, to where the reader feels like it may happen to them or someone they know. Also, sometimes there is just an atmosphere that comes along with story. In this way, it sometimes blends with description and composition.


 * Following is some examples of spectacular scariness:
 * Numb (By Bipolaroid) A perfect example of relating to the reader for a life-like scare factor.
 * The Baseball Boy (By Robotkat) An "eerie atmosphere" pasta.
 * The Tests of Tartarus (By SpongeDemon DeathPants)
 * Break In (By 4thPrincess)