I feel like this is a problem that both creepypasta fans/writers and creepypasta dislikers have. I feel like everyone's so limited in what a creepypasta can be, even considering how fragmented the concept and community creepypasta is (Traditional definition, it's popular subgenres, videogame pastas, lost episode pastas, creepypasta fandom, creepypasta mansion, creepypasta adaptation etc.), i feel like everyone has this one thing in their brains that they consider a creepypasta. Why does it HAVE to be this one format? Does it really need to be first person? Does it really need to be linear? Does it really need to be diagetic? And does it need to be scary? A lot of horror isn't scary and isn't trying to be scary, a lot of horror is just utilizing these concepts and aesthetics to tell a cool, interesting, compelling, or stylized story, Invader Zim gets very disturbing sure, but at the end of the day it's also a funny kids show, Evil Dead 2 and AOD have horror in it, and while i don't particularly find these 2 films that scary (AOD specially) they're still awesome and cool and badass, and also very silly and funny. Writers like Bogleech understand the inherent silliness of Creepypasta, he understands it can be dumb and funny and weird and he just embraces that, he gets that the internet is a funny place with funny people, Terry's Toon Saloon has a lot of really funny dialogue and concepts and yet it still manages to have a strong concept, format, and story, and even creeped me the fuck out, the horror comes from the knowledge of themes and implications we've been building up while reading, it's that final twist, that final image, that realization that something very, very bad has happened. It's wonderful. Terry's Toon Saloon also has an element of despair and sadness, existential dread, of seeing something, not disturbing or horrifying, but upsetting, something that changes your perspective forever, it delves with this thing that i've experience myself --"I tried to cheer myself up today, I put on some of my all-time favorites... the real Betty Boop. The Chuck Jones and Doctor Seuss team-ups. Duck Dodgers. But, they kind of didn't feel fun anymore. Maybe its just a lingering glass-half-empty outlook Ill come out of, i hope so, but right now its like these toons all look dreary and petty and mean to me, like putting on a new pair of glasses and now you can see all your boyfriends zits. My favorites just arent making me laugh right now, there just making me feel lonely and weird, like im too aware im watching the labor of people who are mostly old or gone. What felt "naive" about old media feels "ignorant" to me now, which is just a little difference maybe, but its not a fun one." -- This horrible feeling, of not enjoying what you used to enjoy anymore, it's heart wrenching, it's fucking painful, this is a pure representation of psychological dread, it's wonderful, this is beyond horror, this is bogleech making me feel upset, this is him making me feel existentially sad, and forcing me to feel the same emotion of having something you enjoy be ruined. It's amazing. Burgrr and Harmburger are so good too, Harmburger specially feels like something out of roger rabbit combined with cronenberg, it's so cool to imagine this giant disgusting rotten cartoon hamburger try to chop you up with a knife, its so fucking cool. So i don't get it, why are people so fixated on creepypastas *having* to be scary? Things like Sonic.OMT and SMLWIki i think got it right, because most of those aren't actually trying to scare you, they're just taking the known creepypasta tropes and utilizing for wonderful artistic value, it's not trying to scare you, it's trying to show you a story, or art, or an emotional thing. A lot of pastas in the creepypasta cookoff that bog used to hold fall in this category too, Alice went to sleep is not some chilling tale thats going to keep me up at night, it's just kind of a macabre, sad, really fucked up story that ends with something completely surreal and a really strong visual. Or that one pasta about the rock band playing their final set at the end of the world, that one's not even horror in the traditional sense, there's supernatural stuff and there's definetely the existential horror of the end of the world, but it's more just a way to showcase a cool idea and concept, and present a very nice beautiful emotional story, that ends in, everyone dying, but everyone dying happy, "The end of the world was as loud as they wanted it to be".
People should embrace the inherent silliness of the genre more, and while fully serious creepypasta are good, i feel like this is something more people have to understand, don't limit yourself, write anything. do it.